http://www.mefeedia.com/tags/lutheran/ http://www.mefeedia.com/images/new_logo.gif http://www.mefeedia.com/tags/lutheran/ lutheran video tag stream on mefeedia.com Mefeedia.com frank@mefeedia.com 11856169 http://www.mefeedia.com/entry/crossways-unit-21-thus-says-the-lord/11856169/
From : Religion - recent posts - blip.tv (beta)
Crossways Bible Study Unit 21 - "Thus Says the Lord!". Originally presented by Pastor Roger Lange on 10/6/2008 at Trinity Lutheran Church in Fergus Falls, Minnesota. For more information on Crossways or Trinity Lutheran Church, please visit us online at http://trinityff.org. ]]> Fri, 10 Oct 2008 15:46:35 -0400 Crossways - Unit 21 "Thus Says the Lord!" 11854392 http://www.mefeedia.com/entry/daily-chapel-thursday-october-9-2008/11854392/
From : Gustavus Adolphus College Chapel Podcast
]]> Thu, 09 Oct 2008 01:00:00 -0400 Daily Chapel - Thursday, October 9, 2008 11838663 http://www.mefeedia.com/entry/crossways-unit-20-worship-and-war/11838663/
From : Religion - recent posts - blip.tv (beta)
Crossways Bible Study Unit 20 - "Worship and War." Originally presented by Pastor Roger Lange on 9/29/2008 at Trinity Lutheran Church in Fergus Falls, Minnesota. For more information on Crossways or Trinity Lutheran Church, please visit us online at http://trinityff.org. ]]> Wed, 08 Oct 2008 22:37:49 -0400 Crossways - Unit 20 "Worship and War" 11823047 http://www.mefeedia.com/entry/as-if-god-were-dead-lwml-sunday/11823047/
From : St Paul's Lutheran Church (LCMS), Delaware, IA Sermon
(Luke 24:31, 32) Then their eyes were opened, and they recognized him. But he vanished from their sight. They said to each other, "Weren't we excited when he talked with us on the road and opened up the meaning of the Scriptures for us?" ]]> Mon, 06 Oct 2008 15:27:02 -0400 As if God were Dead (LWML Sunday) 11854394 http://www.mefeedia.com/entry/daily-chapel-monday-october-6-2008/11854394/
From : Gustavus Adolphus College Chapel Podcast
]]> Mon, 06 Oct 2008 01:00:00 -0400 Daily Chapel - Monday, October 6, 2008 11817529 http://www.mefeedia.com/entry/daily-chapel-sunday-october-5-2008/11817529/
From : Gustavus Adolphus College Chapel Podcast
]]> Sun, 05 Oct 2008 01:00:00 -0400 Daily Chapel - Sunday, October 5, 2008 11775539 http://www.mefeedia.com/entry/4-bach-mass-in-f-major-bwv-233-koopman/11775539/
From : YouTube :: Tag // christmas
Stereo: http://br.youtube.com/watch?v=IZE_-_F65AM the composite form of this Mass may be as late as 1740. A Bass cantus firmus liturgically proper to the penitential seasons of Lent and Advent, and the Lutheran liturgical practice which allows for a concerted "Kyrie" on the First Sunday in Advent, together suggest that Sunday as a possible occasion. The three sections of the Kyrie are each fugal, and related as follows - the first Kyrie develops a contrapuntal motive, the Christe its inversion, and the second Kyrie counterpoises both simultaneously. The outer two voices frame this music within simultaneous and contrasting cantus firmi: an excerpt of Lutheran plainchant from the Great Litany in the Bassus voice, and the Protestant hymn-tune "Christe, du Lamm Gottes" in the Cantus. In Bach's later version of the Missa, this vocal line, whose text is a Lutheran chorale setting of the Agnus Dei, is rescored for oboes and horns. The Mass continues with a multimovement setting of the Glora, whose structure matches that of all four Missae Brevis: two choruses of four-part music (accompanied by strings, two oboes, and two horns) frame an inner trio of solo arias. Three of these five movements parody earlier cantata movements, another common feature of Bach's Mass settings. Two of the arias parody earlier arias from Cantata BWV 102, Herr, deine Augen sehen. Qui tollis, with its textual prayer to the One who carries the sins of the world, corresponds to the mournful aria Weh, der Seele, while Quoniam transposes an aria entitled Erschrecke doch. Both adaptations retain the original obbligato instrumental line and the basic harmonic plan of their models, but both rework idiosyncrasies in the other voices (the predominance of the "sighing" bass line in the first, and the melodic mimesis of shrieking in the second). The final chorus adapts music first used in the opening chorus of the Christmas Cantata BWV 40, Dazu ist erscheinen der Sohn Gottes, again lending an air of Advent liturgical propriety to the Mass as a whole. Author: OedipusColoneus Keywords: Bach Lutheran Mass BWV 233 The Amsterdam Baroque Orquestra and Choir Ton Koopman Added: October 4, 2008 ]]> Sat, 04 Oct 2008 08:54:17 -0400 4. Bach: Mass in F major (BWV 233) / Koopman 11775542 http://www.mefeedia.com/entry/3-bach-mass-in-f-major-bwv-233-koopman/11775542/
From : YouTube :: Tag // christmas
Johann Sebastian Bach (1685 - 1750). Mass in F major ("Lutheran Mass") (BWV 233). III. Qui tollis peccata mundi. The Amsterdam Baroque Orquestra and Choir. Dir: Ton Koopman. Johann Sebastian Bach is known to have composed four Missae Brevis (short masses, each of which comprises a concerted setting of the Kyrie, and a multi-movement Gloria for soloists and chorus) presumably either to fulfill the Lutheran Eucharistic liturgy, or as gifts to Catholic patrons such as Count Fraz Anton von Sprock of Bohemia, or the Court of Dresden. As is the case with the better-known Mass in B minor, these masses were a combination of elements, some newly written, and some culled from earlier cantatas. The first movement of the Missa Brevis in F, BWV 233, is an adaptation of an earlier freestanding Kyrie (BWV 233a), written in Weimar between 1709 and 1717. The borrowed cantata movements all date from the early Leipzig period 1723-1726; the composite form of this Mass may be as late as 1740. A Bass cantus firmus liturgically proper to the penitential seasons of Lent and Advent, and the Lutheran liturgical practice which allows for a concerted "Kyrie" on the First Sunday in Advent, together suggest that Sunday as a possible occasion. The three sections of the Kyrie are each fugal, and related as follows - the first Kyrie develops a contrapuntal motive, the Christe its inversion, and the second Kyrie counterpoises both simultaneously. The outer two voices frame this music within simultaneous and contrasting cantus firmi: an excerpt of Lutheran plainchant from the Great Litany in the Bassus voice, and the Protestant hymn-tune "Christe, du Lamm Gottes" in the Cantus. In Bach's later version of the Missa, this vocal line, whose text is a Lutheran chorale setting of the Agnus Dei, is rescored for oboes and horns. The Mass continues with a multimovement setting of the Glora, whose structure matches that of all four Missae Brevis: two choruses of four-part music (accompanied by strings, two oboes, and two horns) frame an inner trio of solo arias. Three of these five movements parody earlier cantata movements, another common feature of Bach's Mass settings. Two of the arias parody earlier arias from Cantata BWV 102, Herr, deine Augen sehen. Qui tollis, with its textual prayer to the One who carries the sins of the world, corresponds to the mournful aria Weh, der Seele, while Quoniam transposes an aria entitled Erschrecke doch. Both adaptations retain the original obbligato instrumental line and the basic harmonic plan of their models, but both rework idiosyncrasies in the other voices (the predominance of the "sighing" bass line in the first, and the melodic mimesis of shrieking in the second). The final chorus adapts music first used in the opening chorus of the Christmas Cantata BWV 40, Dazu ist erscheinen der Sohn Gottes, again lending an air of Advent liturgical propriety to the Mass as a whole. Author: OedipusColoneus Keywords: Bach Lutheran Mass BWV 233 The Amsterdam Baroque Orquestra and Choir Ton Koopman Added: October 4, 2008 ]]> Sat, 04 Oct 2008 08:47:45 -0400 3. Bach: Mass in F major (BWV 233) / Koopman 11775547 http://www.mefeedia.com/entry/2-bach-mass-in-f-major-bwv-233-koopman/11775547/
From : YouTube :: Tag // christmas
Johann Sebastian Bach (1685 - 1750). Mass in F major ("Lutheran Mass") (BWV 233). II. Domine Deus. The Amsterdam Baroque Orquestra and Choir. Dir: Ton Koopman. Johann Sebastian Bach is known to have composed four Missae Brevis (short masses, each of which comprises a concerted setting of the Kyrie, and a multi-movement Gloria for soloists and chorus) presumably either to fulfill the Lutheran Eucharistic liturgy, or as gifts to Catholic patrons such as Count Fraz Anton von Sprock of Bohemia, or the Court of Dresden. As is the case with the better-known Mass in B minor, these masses were a combination of elements, some newly written, and some culled from earlier cantatas. The first movement of the Missa Brevis in F, BWV 233, is an adaptation of an earlier freestanding Kyrie (BWV 233a), written in Weimar between 1709 and 1717. The borrowed cantata movements all date from the early Leipzig period 1723-1726; the composite form of this Mass may be as late as 1740. A Bass cantus firmus liturgically proper to the penitential seasons of Lent and Advent, and the Lutheran liturgical practice which allows for a concerted "Kyrie" on the First Sunday in Advent, together suggest that Sunday as a possible occasion. The three sections of the Kyrie are each fugal, and related as follows - the first Kyrie develops a contrapuntal motive, the Christe its inversion, and the second Kyrie counterpoises both simultaneously. The outer two voices frame this music within simultaneous and contrasting cantus firmi: an excerpt of Lutheran plainchant from the Great Litany in the Bassus voice, and the Protestant hymn-tune "Christe, du Lamm Gottes" in the Cantus. In Bach's later version of the Missa, this vocal line, whose text is a Lutheran chorale setting of the Agnus Dei, is rescored for oboes and horns. The Mass continues with a multimovement setting of the Glora, whose structure matches that of all four Missae Brevis: two choruses of four-part music (accompanied by strings, two oboes, and two horns) frame an inner trio of solo arias. Three of these five movements parody earlier cantata movements, another common feature of Bach's Mass settings. Two of the arias parody earlier arias from Cantata BWV 102, Herr, deine Augen sehen. Qui tollis, with its textual prayer to the One who carries the sins of the world, corresponds to the mournful aria Weh, der Seele, while Quoniam transposes an aria entitled Erschrecke doch. Both adaptations retain the original obbligato instrumental line and the basic harmonic plan of their models, but both rework idiosyncrasies in the other voices (the predominance of the "sighing" bass line in the first, and the melodic mimesis of shrieking in the second). The final chorus adapts music first used in the opening chorus of the Christmas Cantata BWV 40, Dazu ist erscheinen der Sohn Gottes, again lending an air of Advent liturgical propriety to the Mass as a whole. Author: OedipusColoneus Keywords: Bach Lutheran Mass BWV 233 The Amsterdam Baroque Orquestra and Choir Ton Koopman Added: October 4, 2008 ]]> Sat, 04 Oct 2008 08:31:36 -0400 2. Bach: Mass in F major (BWV 233) / Koopman 11775556 http://www.mefeedia.com/entry/1-bach-mass-in-f-major-bwv-233-koopman/11775556/
From : YouTube :: Tag // christmas
Johann Sebastian Bach (1685 - 1750). Mass in F major ("Lutheran Mass") (BWV 233). I. Kyrie. II. Gloria. The Amsterdam Baroque Orquestra. Dir: Ton Koopman. Johann Sebastian Bach is known to have composed four Missae Brevis (short masses, each of which comprises a concerted setting of the Kyrie, and a multi-movement Gloria for soloists and chorus) presumably either to fulfill the Lutheran Eucharistic liturgy, or as gifts to Catholic patrons such as Count Fraz Anton von Sprock of Bohemia, or the Court of Dresden. As is the case with the better-known Mass in B minor, these masses were a combination of elements, some newly written, and some culled from earlier cantatas. The first movement of the Missa Brevis in F, BWV 233, is an adaptation of an earlier freestanding Kyrie (BWV 233a), written in Weimar between 1709 and 1717. The borrowed cantata movements all date from the early Leipzig period 1723-1726; the composite form of this Mass may be as late as 1740. A Bass cantus firmus liturgically proper to the penitential seasons of Lent and Advent, and the Lutheran liturgical practice which allows for a concerted "Kyrie" on the First Sunday in Advent, together suggest that Sunday as a possible occasion. The three sections of the Kyrie are each fugal, and related as follows - the first Kyrie develops a contrapuntal motive, the Christe its inversion, and the second Kyrie counterpoises both simultaneously. The outer two voices frame this music within simultaneous and contrasting cantus firmi: an excerpt of Lutheran plainchant from the Great Litany in the Bassus voice, and the Protestant hymn-tune "Christe, du Lamm Gottes" in the Cantus. In Bach's later version of the Missa, this vocal line, whose text is a Lutheran chorale setting of the Agnus Dei, is rescored for oboes and horns. The Mass continues with a multimovement setting of the Glora, whose structure matches that of all four Missae Brevis: two choruses of four-part music (accompanied by strings, two oboes, and two horns) frame an inner trio of solo arias. Three of these five movements parody earlier cantata movements, another common feature of Bach's Mass settings. Two of the arias parody earlier arias from Cantata BWV 102, Herr, deine Augen sehen. Qui tollis, with its textual prayer to the One who carries the sins of the world, corresponds to the mournful aria Weh, der Seele, while Quoniam transposes an aria entitled Erschrecke doch. Both adaptations retain the original obbligato instrumental line and the basic harmonic plan of their models, but both rework idiosyncrasies in the other voices (the predominance of the "sighing" bass line in the first, and the melodic mimesis of shrieking in the second). The final chorus adapts music first used in the opening chorus of the Christmas Cantata BWV 40, Dazu ist erscheinen der Sohn Gottes, again lending an air of Advent liturgical propriety to the Mass as a whole. Author: OedipusColoneus Keywords: Bach Lutheran Mass BWV 233 The Amsterdam Baroque Orquestra and Choir Ton Koopman Added: October 4, 2008 ]]> Sat, 04 Oct 2008 08:22:56 -0400 1. Bach: Mass in F major (BWV 233) / Koopman 11817530 http://www.mefeedia.com/entry/daily-chapel-saturday-october-4-2008/11817530/
From : Gustavus Adolphus College Chapel Podcast
]]> Sat, 04 Oct 2008 01:00:00 -0400 Daily Chapel - Saturday, October 4, 2008 11817531 http://www.mefeedia.com/entry/daily-chapel-friday-october-3-2008/11817531/
From : Gustavus Adolphus College Chapel Podcast
]]> Fri, 03 Oct 2008 01:00:00 -0400 Daily Chapel - Friday, October 3, 2008 11817532 http://www.mefeedia.com/entry/daily-chapel-thursday-october-2-2008/11817532/
From : Gustavus Adolphus College Chapel Podcast
]]> Thu, 02 Oct 2008 01:00:00 -0400 Daily Chapel - Thursday, October 2, 2008 11817533 http://www.mefeedia.com/entry/daily-chapel-wednesday-october-1-2008/11817533/
From : Gustavus Adolphus College Chapel Podcast
]]> Wed, 01 Oct 2008 01:00:00 -0400 Daily Chapel - Wednesday, October 1, 2008 11765069 http://www.mefeedia.com/entry/daily-chapel-tuesday-september-30-2008/11765069/
From : Gustavus Adolphus College Chapel Podcast
]]> Tue, 30 Sep 2008 01:00:00 -0400 Daily Chapel - Tuesday, September 30, 2008 11714145 http://www.mefeedia.com/entry/crossways-unit-19-josiahs-reform/11714145/
From : recent posts - blip.tv (beta)
Crossways Bible Study Unit 19 - "Josiah's Reform." Originally presented by Pastor Roger Lange on 9/22/2008 at Trinity Lutheran Church in Fergus Falls, Minnesota. For more information on Crossways or Trinity Lutheran Church, please visit us online at http://trinityff.org. ]]> Mon, 29 Sep 2008 20:28:15 -0400 Crossways Unit 19 - "Josiah's Reform" 11765070 http://www.mefeedia.com/entry/daily-chapel-monday-september-29-2008/11765070/
From : Gustavus Adolphus College Chapel Podcast
]]> Mon, 29 Sep 2008 01:00:00 -0400 Daily Chapel - Monday, September 29, 2008 11788228 http://www.mefeedia.com/entry/tracy-dart-at-northwest-hope-and-healings-alki-beach-run/11788228/
From : CitizenJournalism - recent posts - blip.tv (beta)
West Seattle Blog talks with Tracy Dart, who is fighting breast cancer and came to the Alki Beach Run to cheer the Seattle Lutheran High School cheerleaders participating as part of "Team Dart." ]]> Sun, 28 Sep 2008 16:32:21 -0400 Tracy Dart at Northwest Hope and Healing's Alki Beach Run 11788232 http://www.mefeedia.com/entry/giving-thanks-at-first-lutheran-church-of-west-seattle-ceremony/11788232/
From : CitizenJournalism - recent posts - blip.tv (beta)
West Seattle Blog is there as thanks is given during the 90th anniversary rededication for First Lutheran Church of West Seattle. ]]> Sun, 28 Sep 2008 15:31:08 -0400 Giving thanks at First Lutheran Church of West Seattle ceremony 11788233 http://www.mefeedia.com/entry/first-lutheran-church-of-west-seattle-rededication/11788233/
From : CitizenJournalism - recent posts - blip.tv (beta)
West Seattle Blog is at First Lutheran Church of West Seattle as Pastor Ron Marshall rededicates the church during a ceremony marking its 90th anniversary. ]]> Sun, 28 Sep 2008 15:25:05 -0400 First Lutheran Church of West Seattle: Rededication 11788234 http://www.mefeedia.com/entry/first-lutheran-church-of-west-seattle-procession-turns-corner/11788234/
From : CitizenJournalism - recent posts - blip.tv (beta)
West Seattle Blog is there as the 90th anniversary procession for First Lutheran Church at West Seattle rounds the corner from Dakota to California. ]]> Sun, 28 Sep 2008 15:18:20 -0400 First Lutheran Church of West Seattle: Procession turns corner 11788235 http://www.mefeedia.com/entry/first-lutheran-church-of-west-seattle-90th-anniversary-celebration/11788235/
From : CitizenJournalism - recent posts - blip.tv (beta)
West Seattle Blog is there as a bagpipe-led procession begins from the church's back parking lot, the original church site. ]]> Sun, 28 Sep 2008 15:13:33 -0400 First Lutheran Church of West Seattle: 90th anniversary celebration 11705407 http://www.mefeedia.com/entry/daily-chapel-friday-september-26-2008/11705407/
From : Gustavus Adolphus College Chapel Podcast
]]> Fri, 26 Sep 2008 01:00:00 -0400 Daily Chapel - Friday, September 26, 2008 11705408 http://www.mefeedia.com/entry/daily-chapel-thursday-september-25-2008/11705408/
From : Gustavus Adolphus College Chapel Podcast
]]> Thu, 25 Sep 2008 01:00:00 -0400 Daily Chapel - Thursday, September 25, 2008 11653520 http://www.mefeedia.com/entry/daily-chapel-wednesday-september-24-2008/11653520/
From : Gustavus Adolphus College Chapel Podcast
]]> Wed, 24 Sep 2008 01:00:00 -0400 Daily Chapel - Wednesday, September 24, 2008 11636519 http://www.mefeedia.com/entry/daily-chapel-monday-september-22-2008/11636519/
From : Gustavus Adolphus College Chapel Podcast
]]> Mon, 22 Sep 2008 01:00:00 -0400 Daily Chapel - Monday, September 22, 2008 11623437 http://www.mefeedia.com/entry/crossways-unit-18-judahs-last-years/11623437/
From : Religion - recent posts - blip.tv (beta)
Crossways Bible Study Unit 18 - "Judah's Last Years." Originally presented by Pastor Roger Lange on 9/15/2008 at Trinity Lutheran Church in Fergus Falls, Minnesota. For more information on Crossways or Trinity Lutheran Church, please visit us online at http://trinityff.org. ]]> Sun, 21 Sep 2008 16:14:35 -0400 Crossways Unit 18 - "Judah's Last Years" 11636520 http://www.mefeedia.com/entry/daily-chapel-sunday-september-21-2008/11636520/
From : Gustavus Adolphus College Chapel Podcast
]]> Sun, 21 Sep 2008 01:00:00 -0400 Daily Chapel - Sunday, September 21, 2008 11607313 http://www.mefeedia.com/entry/bethany-lutheran-church-youth/11607313/
From : YouTube :: Tag // carolina
Summer Homework's Mission 2008, Fayetteville, North Carolina. Partnership with Convent Bapstist Church in Pelion. Author: myblc Keywords: Youth Lexington Lutheran Church Added: September 20, 2008 ]]> Sat, 20 Sep 2008 11:43:25 -0400 Bethany Lutheran Church Youth 11607315 http://www.mefeedia.com/entry/bethany-lutheran-church-youth/11607315/
From : YouTube :: Tag // carolina
Summer Homework's Mission 2008, Fayetteville, North Carolina. Partnership with Convent Bapstist Church in Pelion. Author: myblc Keywords: Youth Lexington Lutheran Church Added: September 20, 2008 ]]> Sat, 20 Sep 2008 11:25:56 -0400 Bethany Lutheran Church Youth