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 Handel: Partenope "Ma quai note di mesti lamenti" Andreas Scholl
from YouTube :: Videos by civileso
October 12, 2008
High resolution and stereo sound: http://www.youtube.com/watch?v=mN23oTLpF2Y sol per brevi momenti date qualche riposo al cor d'Arsace! Vieni, pietoso oblio, ristora il petto mio cadente e lasso, e de' riposi miei sia letto un sasso. (S'ode una sinfonia mesta.) Aria Ma quai note di mesti lamenti qui d'intorno echeggiando sen vanno? Ah! che al suon di querele dolenti a dormir m'invita l'affanno. (Si adormenta.) Translation: Recitativo ARSACES I ask ye not, ye woes I bear, to leave me long in pleasing peace; some moments only from his care Arsaces' fighting soul release. Come, sweet oblivion, haste away, restore my weary wounded breast; my anguish for a while delay, and marble make my bed of rest. (A melancholy symphony is heard.) Aria What notes that mourn in such a solemn sound, so melancholy moving breath around? Ah! 'tis the murmur that my cares have chose to lull their weary clamours to repose. (Sleeps.) Author: civileso Keywords: George Frideric Handel Partenope Ma quai note mesti lamenti Non chiedo miei tormenti Andreas Scholl countertenor Arsace Concerto Copenhagen Lars Ulrik Mortensen Added: October 12, 2008
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 The Sound of Wood
from Ultimele pagini inscrise in Director Web Xirincs (v. beta)
September 25, 2008
http://vimeo.com/moogaloop.swf?clip_id=1765526 From sapling to violin. How wood is crafted into emotion generating music. A film with no language barrier. Cast: Anthony Edels ... Rate: 1 Hits: 1.0 Tag-uri: sound, violinmaker, concerto, cadenza, violin, language, instruments, wood, sawmill, forestry, chainsaw, beethoven, music, trees, lumberjack, classicalmusic, luthier, forest, violinist, emotion
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 Leslie Uggams - I honsetly love you - Concert with Frank Sin
from YouTube :: Tag // sitcom
September 23, 2008
Leslie Uggams (born May 25, 1943, New York City) is American actress and singer, perhaps best known for her Tony Award-winning work in Hallelujah, Baby! Uggams first started in show business as a child in 1950, playing the niece of Ethel Waters on the television series Beulah. She was a regular on Sing Along with Mitch, starring record producer/conductor Mitch Miller. In 1960 she sang "Give Me That Old Time Religion" in the film Inherit the Wind. She would audition for the lead part in the film Cleopatra, but would lose out to Elizabeth Taylor. Actress Dorothy Dandridge was also in the running, when director Rouben Mamoulian was to direct, but her part was lost when the director was taken off the project.[1][2] The Leslie Uggams Show, a television variety show added to her list of credits and a lead role in Roots, as Kizzy. Uggams also starred in the 1975 film Poor Pretty Eddy (also called Poor Pretty Eddie, Black Vengeance and Redneck County), in which she played a popular singer who, upon being stranded in the deep South, is abused and humiliated by the perverse denizens of a backwoods town. Uggams appeared on TV gameshow Hollywood Squares. After being asked if Roman legend says that God made the people of the world in a large oven, fellow contestant Paul Lynde looked at her and remarked "Looks like you were overcooked". Uggams guest starred on The Muppet Show during it's third season. During the 1980s she appeared in Blues in the Night, Jerry's Girls, and replaced Patti LuPone as Reno Sweeney in the Lincoln Center revival of Cole Porter's musical Anything Goes. Later Broadway roles include Muzzy in Thoroughly Modern Millie and Ethel Thayer in On Golden Pond at the Cort Theatre. In 1996, Uggams played the role of Rose Keefer on All My Children. She is a member of Delta Sigma Theta Sorority. Early in 2009, Uggams will make an appearance as the legendary jazz singer Lena Horne in a production of the stage musical "Stormy Weather" at the Pasadena Playhouse in California.Tony and Emmy Award-winning actress/singer Leslie Uggams most recently thrilled Broadway audiences performing as Ethel Thayer opposite James Earl Jones in the revival of Ernest Thompson's On Golden Pond. That performance came on the heels of her stunning portrayal of the off-beat society heiress Muzzy Van Hossmere in the Tony-award winning musical Thoroughly Modern Millie. photo That's just the latest accomplishment for a woman who has been captivating stage, screen and television audience since her national television debut at age six on the TV series Beulah, portraying the niece of Ethel Waters. Appearances on Your Show of Shows, The Milton Berle Show and The Arthur Godfrey Show led to center stage at the legendary Apollo Theater in Harlem where 7 year-old Leslie opened for such legends as Louise Armstrong, Ella Fitzgerald, and Dinah Washington. Leslie attended the New York Professional Children's School, and, at 15, she appeared on the CBS-TV series Name That Tune. Her appearance proved to be fortuitous. Mitch Miller, head of recordings for Columbia Records, was so impressed by her vocal talents that he signed her to a recording contract and then made her a regular on Sing.A musical career came virtually by inheritance to African-American entertainer Leslie Uggams. Her father sang with the Hall Johnson Choir, and her mother was a chorus dancer. At age 6, Leslie was appearing with Ethel Waters in the TV sitcom The Beulah Show; at eight, she was featured on Paul Whiteman's TV Teen Club; and from eight to twelve, she sang on tour in big-city theatres and showed up in guests spots on shows starring the likes of Arthur Godfrey, Milton Berle and Garry Moore. A graduate of the Professional Children's School of New York, Uggams "retired" from show business at age 12--only to reemerge as a contestant (and singer) on the TV game show Name That Tune.Later on in 1960, Uggams was showcased to perfection as the offscreen singer of "Old Time Religion" in the opening scenes of the movie Inherit the Wind. While a student at Julliard in 1961, Ms. Uggams was hired to be regular female vocalist on Sing Along With Mitch, an otherwise all-male (and all-white) songfest hosted by Mitch Miller.A major star by 1969, Uggams became the first black female performer to host her own TV series since Hazel Scott in the '50s; alas, The Leslie Uggams Show became the latest in a long list of casualties to its powerhouse competition Bonanza.The next two decades were a kaleidescope of lofty heights and dismal depths for Uggams. But when she triumphed, it was big-time: She was brilliant as Kizzy in the groundbreaking 1977 TV saga Roots, and no less superb in a key role on a 1979 mini-series, Backstairs at the White House.Leslie Uggams' last regular television stint was as cohost of a nighttime audience participation series, Fantasy, in 1983. The series didn't last, but Uggams managed to grab an Emmy award for her efforts. Hal Erickson, All Movie Guide Author: leadervideos Keywords: public service announcements Sinatra sang at The White House tribute to senator Over the summer supported another Republican candidate he declared for Ronald Reagan in his race Governorship California.was also good friends with Vice-President Spiro Agnew. said agreed Party on most positions except that abortion. how do make sing singer frank sinatra usa como cantar cantor musica music song give get take ficar cantando singing mideia media tv show live ao vivo concert concerto leslie uggams Added: September 23, 2008
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 ciao Richard Wright - il mio saluto
from YouTube :: Tag // floyd
September 18, 2008
il 15 settembre 2008 è morto, questa è l'ultima volta che l'ho visto, presentato da David Gilmour a Roma il 26 marzo 2006. Grazie Rick Author: youjmstube Keywords: concerto great gig in the sky standing ovation applausi auditorium pink floyd omaggio tribute dead Added: September 18, 2008
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 A. VIVALDI: - Concerto Re M (D major) RV 93 "Allegro"
from Dailymotion - musique video group
September 15, 2008
Antonio Vivaldi - Concerto in Re maggiore RV 93 per chitarra e archi: Primo Movimento ALLEGRO Orchestra Giovanile Goffredo Petrassi di Zagarolo (RM) Italy, direttore M° Francesco VIZIOLI. Chitarra: Michele Greci (Chitarra Greci) Istituzione Palazzo Rospigliosi di Zagarolo Secondo concerto dell'Orchestra Giovanile da Camera Goffredo Petrassi Salone delle Bandiere di Palazzo Rospigliosi -- Zagarolo 06/09/2008, ore 21:00 Organico: Primi violini Lisa Green, Renato Orciuoli, Selvaggia Senatore, Angelo Berardi, Abe Kazuko Secondi violini Silvia Lanciotti, Amleto Soldani, Valentina Macioti Viole Carmine Fanigliulo, Carmine Ruizzo, Maria Elena Soldani Violoncelli Lelia Lepore, Giovanni Sanarico Contrabbasso Orazio Ferrari La chitarra GRECI : particolare chitarra classica non amplificata di nuova concezione, il cui volume sonoro è più che doppio rispetto alle chitarre da concerto tradizionali. Tale volume sonoro è peraltro caratterizzato dalla grande presenza di armonici, che rendono il suono pieno e profondo, specialmente nel registro grave, mentre i cantini risultano particolarmente ricchi e presenti. Anche la proiezione sonora risulta straordinaria. www.greci-guitar.com michele.greci@alice.it Author: filipporinamichele Tags: michele greci orchestra petrassi zagarolo francesco vizioli concerto re vivaldi chitarra archi allegro major guitar guitarra clàsica gitarre guitare classique Posted: 15 September 2008 Rating: 5.0 Votes: 1
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 Rede Globo de Televisão
from YouTube :: Tag // brasil
September 10, 2008
A Rede Globo (também conhecida como TV Globo ou simplesmente Globo) é uma rede de televisão brasileira que iniciou suas atividades no dia 26 de abril de 1965, no Rio de Janeiro. Foi fundada e dirigida pelo empresário Roberto Marinho até sua morte, em 2003, quando passou ao controle de seu filho, Roberto Irineu Marinho. Atualmente, a emissora é uma das maiores de toda a América e a quarta maior do mundo, assistida por 80 milhões de pessoas diariamente.[1][2] A empresa faz parte do grupo empresarial Organizações Globo. A matriz da empresa encontra-se no bairro do Jardim Botânico, no Rio de Janeiro. O departamento de notícias está situado no Jardim Botânico, e seus principais estúdios de produção localizam-se no complexo conhecido como Projac, em Jacarepaguá, na Zona Oeste da cidade. Em 2007, a Globo alterou suas operações analógicas com o propósito de construir uma produção televisiva em alta definição para a televisão digital.Em Julho de 1957, o Presidente da República, Juscelino Kubitschek, aprovou a concessão de TV para a Rádio Globo e, em 30 de Dezembro do mesmo ano, o Conselho Nacional de Telecomunicações publicou um decreto concedendo o canal 4 do Rio de Janeiro à TV Globo Ltda. Sendo assim a TV Globo do Rio de Janeiro foi criada no dia 26 de Abril de 1965.Em 1966, a TV Globo chegou a São Paulo com a aquisição do canal 5 que, desde 1952, funcionava como a TV Paulista, de propriedade das Organizações Victor Costa. Em 5 de Fevereiro de 1968, foi inaugurada a terceira emissora, em Belo Horizonte, e as retransmissoras de Juiz de Fora e de Conselheiro Lafaiete, além de um link de microondas que ligava o Rio de Janeiro a São Paulo. As primeiras emissoras afiliadas à Rede Globo foram a TV Triângulo (Rede Integração de Uberlândia), TV Gaúcha (RBS TV Porto Alegre), no ano de 1967, e TV Anhanguera (Rede Anhanguera), em 1968.A Rede Globo especializou-se em fazer telenovelas, que são vendidas atualmente para mais de trinta países. Novelas de inúmeros gêneros: comédias, românticas, atuais e de época, ambientadas no Rio de Janeiro, em São Paulo, no campo, no litoral e em todos os estados brasileiros. Existem dúvidas entre diversos críticos e especialistas se tais novelas veiculam opiniões, usos e costumes de toda a sociedade brasileira e se elas refletem a sociedade brasileira. Alguns alegam ser impossível dada a extensão geográfica e à elevada diversidade sócio-cultural do país. Por outro lado, as telenovelas da Globo no Brasil, bem como telenovelas mexicanas no México e séries de televisão nos Estados Unidos produzem de imediato fenômenos de "massificação", objeto de diversos estudos mas que pode ser verificado de maneira empírica e simples sem necessidades de um protocolo ou estudo experimental complexo e ao alcance de qualquer indivíduo: basta sair ao comércio de roupas e calçados, em qualquer região do país, em busca de itens que estejam em sincronia com o que surge na TV. O fato é conhecido da indústria que explora o potencial de marketing associado.O "Jornal Nacional" foi o primeiro telejornal brasileiro a ser transmitido em rede nacional, em 1969. Os episódios narrados a seguir são comentados por seus protagonistas no livro 35 Anos de Jornal Nacional, lançado em 2004. * Em 1989, criou-se uma polêmica por conta da edição do debate presidencial apresentado pelo telejornal dias antes das eleições. A emissora foi acusada de ter favorecido o candidato Fernando Collor de Mello, que disputava o segundo turno do pleito eleitoral com Luiz Inácio Lula da Silva. A TV Globo teria privilegiado os melhores momentos de Collor e os piores de Lula na edição do debate. Desde então, a emissora, como já o faziam as emissoras concorrentes, passou a apresentar os debates na íntegra, sem editá-los[carece de fontes?]. Isso evita que as escolhas que necessariamente fazem parte do trabalho de edição sejam interpretadas — às vésperas do debate com os ânimos dos envolvidos na campanha exaltados — como manipulação dos fatos.Jornal Nacional foi acusado de omitir informações sobre a campanha das Diretas Já, em 1984, porque deu a notícia do grande comício na Praça da Sé, em São Paulo, no dia 25 de janeiro na mesma matéria em que noticiou as comemorações do aniversário da cidade. Na verdade, o telejornal não fazia referência ao comício na escalada da edição daquele dia, citando apenas o aniversário da cidade. "A cidade de São Paulo festeja os 430 anos de fundação". Na chamada, o apresentador Marcos Hummel referia-se ao comício como um dos eventos comemorativos do aniversário da capital. Mas havia realmente relação entre a manifestação e o aniversário da cidade, uma vez que o comício havia sido marcado naquela data para facilitar a participação popular. Depois da chamada: "Festa em São Paulo. Author: leadervideos Keywords: public service announcements franco montouro rede globo de televisão tv jornal reporter midia media radio reportagem novela filme video show performance concerto entrevista piada romance soap opera telenovela Added: September 10, 2008
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 Chamber Music Connections trailer video.
from - blip.tv (beta)
August 19, 2008
The purpose of The Chamber Music Connection is to provide chamber music education for music students of all ages (including adults) and abilities, from the earliest levels of proficiency to the most advanced. Open to all string, wind, and piano students, participants are afforded the opportunity to hear, see, and work with world-class chamber music ensembles in concerts, master classes, and workshops. Programs are primarily geared to the study of string chamber music repertoire, though they also include collaboration of strings with winds and piano.www.cmconnection.org
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 CHOPIN-concerto n°1 mi mineur - 1er mouvement(complet)
from Dailymotion - most recent videos
August 19, 2008
Version intégrale du Concerto n°1 en mi mineur pour piano et orchestre (mmo) 1ER MOUVEMENT:reprise d'enregistrement du 17 octobre 2007 - (2eme et 3eme mouvement en cours)Author: thouschopin Tags: chopin concerto musique classique orchestre romantique debussy nocturnes preludes liszt sonate funerailles concert soliste recital Posted: 19 August 2008 Rating: 0.0 Votes: 0
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 i palestrati
from YouTube :: Tag // cannes
August 18, 2008
the best in town... Author: pierfy07 Keywords: vitto bullo snobbino davide palestra palestrati pesi addominali abkingpro canne sexy house concerto live brahimovic Added: August 18, 2008
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 Antonio Vivaldi "Cessate, omai cessate" Sara Mingardo (1/2)
from YouTube :: Videos by civileso
August 17, 2008
High resolution and stereo sound: http://www.youtube.com/watch?v=TaNLyFZH_n0 in the following recitative he prepares to die; in the last aria he pictures himself as the "shade of a Bacchante" on the gloomy banks of Acheron, ready to take revenge. So we have a conventional, but complete plot. ... As for the content, there is a mixture of ferocity and commiseration arising from the fact that the singer addresses two different objects: his "cruel memories" and his "wretched, injured and forsaken heart". Only in the last two verses does cruelty pertain no longer to the memories but to the beloved's "pitiless countenance" and "faithless soul", Dorilla's cruelty being emphasized, in the score, by a unison of all the instruments." ... The first recitative makes the work more expressive and, by virtue of its double character, seems to have been given the function of introducing the cantata as a whole rather than just its first aria." - Luigi Cataldi Original text: Recitativo Cessate, omai cessate rimembranze crudeli d'un affetto tiranno; già barbare e spietate mi cangiaste i contenti in un immenso affanno. Cessate, omai cessate di lacerarmi il petto, di trafiggermi l'alma, di toglier al mio cor riposo e calma. Povero core afflitto e abbandonato, se ti toglie la pace un affetto tiranno, perché un volto spietato, un'alma infida la sola crudeltà pasce ed annida. Aria Ah, ch'infelice sempre mi vuol Dorilla ingrata, ah, sempre più spietata m'astringe a lagrimar. Per me non v'è ristoro, per me non v'è più spene. E il fier martoro e le mie pene, solo la morte può consolar. Translation (by Luigi Cataldi): Recitativo Cease, henceforth cease, cruel memories of a despotic love; heartless and pitiless, you have turned my happiness into immense sorrow. Cease, henceforth cease to tear my breast, to pierce my soul, to rob my heart of peace and calm. Wretched, injured and forsaken you are, my heart, if a tyrannical passion can rob you of tranquillity because a pitiless countenance, a faithless soul, harbours and nurtures nothing but cruelty. Aria Ah, ungrateful Dorilla wishes me to remain unhappy; ah, ever more pitilessly she forces out my tears. For me there is no remedy, for me no more hope. Only death will assuage my bitter pain and sorrow. Author: civileso Keywords: Antonio Vivaldi Cessate omai Sara Mingardo Concerto Italiano Rinaldo Alessandrini cantata contralto Added: August 17, 2008
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 Antonio Vivaldi "Cessate, omai cessate" Sara Mingardo (2/2)
from YouTube :: Videos by civileso
August 17, 2008
High resolution and stereo sound: http://www.youtube.com/watch?v=RFd2N4ZbuLY in the following recitative he prepares to die; in the last aria he pictures himself as the "shade of a Bacchante" on the gloomy banks of Acheron, ready to take revenge. So we have a conventional, but complete plot. ... As for the content, there is a mixture of ferocity and commiseration arising from the fact that the singer addresses two different objects: his "cruel memories" and his "wretched, injured and forsaken heart". Only in the last two verses does cruelty pertain no longer to the memories but to the beloved's "pitiless countenance" and "faithless soul", Dorilla's cruelty being emphasized, in the score, by a unison of all the instruments." ... The first recitative makes the work more expressive and, by virtue of its double character, seems to have been given the function of introducing the cantata as a whole rather than just its first aria." - Luigi Cataldi Original text: Recitativo A voi dunque ricorro, orridi spechi, taciturni orrori, solitari ritiri ed ombre amiche; tra voi porto il mio duolo, perché spero da voi quella pietade che Dorilla inumana non annida. Vengo, spelonche amate, vengo, spechi graditi, alfine meco involto in mio tormento in voi resti sepolto. Aria Nell'orrido albergo, ricetto di pene, potrò il mio tormento sfogare contento, potrò ad alta voce chiamare spietata Dorilla l'ingrata, morire potrò. Andrò d'Acheronte su la nera sponda, tingendo quest'onda di sangue innocente, gridando vendetta ed ombra baccante vendetta farò. Translation (by Luigi Cataldi): Recitativo So it is to you, gloomy places, silent horrors, lonely caves and friendly shades, that I come and bring my grief, because I hope to obtain from you a pity that is not to be found in ungrateful Dorilla. Beloved caves, I come, I come, welcoming places, until finally, racked by my pains, I will bury myself in you. Aria In this horrible refuge, sheltering from my pains, I shall be able to give vent to my grief, to call out: 'Dorilla heartless and ungrateful', and to die. I'll go to the gloomy banks of Acheron, staining that stream with my blameless blood, crying for revenge and, like the shade of a Bacchante, I will take my revenge. Author: civileso Keywords: Antonio Vivaldi Cessate omai Sara Mingardo Concerto Italiano Rinaldo Alessandrini cantata contralto Added: August 17, 2008
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