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         <title>Journeys of Life 4 Baptism</title>
		 <link>http://www.mefeedia.com/entry/journeys-of-life-4-baptism/11862011/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/journeys-of-life-4-baptism/11862011/'><img src='http://images.mefeedia.com/feeds/16746/video_120.png' width='120' height='95' /></a><br />
		 From : True2Life - Sermons from Torquay Christian Fellowship TCF t2l<br />Many churches baptise at different times and in different ways - but what is at the heart of it all?
		 ]]></description>

		<pubDate>Sun, 12 Oct 2008 04:13:41 -0400</pubDate>
		
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		<media:title>Journeys of Life 4 Baptism</media:title>
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		<guid isPermaLink="false">11859411</guid> 
         <title>Nikkole performing ''Nothing Without You''</title>
		 <link>http://www.mefeedia.com/entry/nikkole-performing-nothing-without-you/11859411/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/nikkole-performing-nothing-without-you/11859411/'><img src='http://p.images.blip.tv/Nikkole-NikkolePerformingNothingWithoutYou876.jpg' width='120' height='95' /></a><br />
		 From : TheNikkoleNetwork<br />A snippit of Nikkole (Singer/Songwriter/Producer) performing ''Nothing Without You'' live in concert. Song written by Nikkole
		 ]]></description>

		<pubDate>Sat, 11 Oct 2008 17:03:10 -0400</pubDate>
		
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		<media:title>Nikkole performing ''Nothing Without You''</media:title>
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         <title>Voix diphoniques, dance manouche, afrobeat canadien et krautrock funky.</title>
		 <link>http://www.mefeedia.com/entry/voix-diphoniques-dance-manouche-afrobeat-canadien-et-krautrock-funky/11851747/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/voix-diphoniques-dance-manouche-afrobeat-canadien-et-krautrock-funky/11851747/'><img src='http://images.mefeedia.com/feeds/20343/video_120.png' width='120' height='95' /></a><br />
		 From : flux global<br />Une mission pleine craquer d exclusivit s en tout genre (les nouveaux Souljazz Orchestra, Madlib et andrew bird) de musiques m tiss es qu elles soient jazz manouche - electro, musiques aux voix diphoniques mongoles ou reggae balkanique; ainsi qu une fine s lection de titres groovistiques (Morgan Zarate, Mr scruff, flobots) [en écoute sur le site et par podcasting] playlist [...]
		 ]]></description>

		<pubDate>Sat, 11 Oct 2008 09:15:41 -0400</pubDate>
		
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		<media:title>Voix diphoniques, dance manouche, afrobeat canadien et krautrock funky.</media:title>
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		<guid isPermaLink="false">11851748</guid> 
         <title>Débats passionnés et extérieurs dans la nuit</title>
		 <link>http://www.mefeedia.com/entry/d-bats-passionn-s-et-ext-rieurs-dans-la-nuit/11851748/</link>
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		 <a href='http://www.mefeedia.com/entry/d-bats-passionn-s-et-ext-rieurs-dans-la-nuit/11851748/'><img src='http://images.mefeedia.com/feeds/20343/video_120.png' width='120' height='95' /></a><br />
		 From : flux global<br />[en écoute sur le site et par podcasting] Malgr l pid mie de morosit et de grippe qui frappe le pays, les chroniqueurs d Ext rieur Nuit ne se laissent pas abattre d battent des films quand ils sont encore chauds et rivalisent en joutes verbales de hautes vol es. Men e par le truculent Gautier, l quipe a s lectionn pour vous cette [...]
		 ]]></description>

		<pubDate>Sat, 11 Oct 2008 07:08:12 -0400</pubDate>
		
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		<media:title>Débats passionnés et extérieurs dans la nuit</media:title>
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		<guid isPermaLink="false">11860508</guid> 
         <title>GC048 — Stock Market Crash</title>
		 <link>http://www.mefeedia.com/entry/gc048-stock-market-crash/11860508/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/gc048-stock-market-crash/11860508/'><img src='http://www.geezercast.com/Geezercast.jpg' width='120' height='95' /></a><br />
		 From : GeezerCast<br />This is a Geezercast from inside the tornado.  Just words for my unborn grandchildren as I watch worldwide financial-market chaos. Click here to listen to this 15 minute podcast
		 ]]></description>

		<pubDate>Fri, 10 Oct 2008 12:41:31 -0400</pubDate>
		
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		<media:title>GC048 — Stock Market Crash</media:title>
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		<guid isPermaLink="false">11841847</guid> 
         <title>apocalypse radio - one hundred and ninety third audio magazine/podcast</title>
		 <link>http://www.mefeedia.com/entry/apocalypse-radio-one-hundred-and-ninety-third-audio-magazine-podcast/11841847/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/apocalypse-radio-one-hundred-and-ninety-third-audio-magazine-podcast/11841847/'><img src='http://images.mefeedia.com/feeds/9296/video_120.png' width='120' height='95' /></a><br />
		 From : apocalypse radio<br />I WILL NOT BE A GOODY BAG AT YOUR PITY PARTY, NICK. yet another movie i'm sure i'll never make it off my ass to see in a theater... nick and norah's infinite playlist... looks good... not the greatest reviews.... but some great one-liners from what i can see. but i'll wait for the dvd. for theater viewing, i'm waiting for the spirit. though the local regal is showing pulp fiction on the big screen on the 29th and that's REAL damn tempting. gonna have to think about that one. definitely worth seeing if you haven't before. alright, that's enough rambling for now... show is up and ready to go - use the rss feed link on the left... or CLICK HERE, O FAITHFUL LISTENER!! or right click back there, do a "save target as" and save the mp3 on your hard drive. and until next time - Let's dance, douche bag!
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 22:25:13 -0400</pubDate>
		
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		<media:title>apocalypse radio - one hundred and ninety third audio magazine/podcast</media:title>
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		<guid isPermaLink="false">11851749</guid> 
         <title>L’EXTRABALLE POSE POUR LA PHOTO. Jeudi 9 Octobre, 20h.</title>
		 <link>http://www.mefeedia.com/entry/l-extraballe-pose-pour-la-photo-jeudi-9-octobre-20h/11851749/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/l-extraballe-pose-pour-la-photo-jeudi-9-octobre-20h/11851749/'><img src='http://images.mefeedia.com/feeds/20343/feed_90.png' width='120' height='95' /></a><br />
		 From : flux global<br />Invit : Le collectif Entre pour leur expo Photo[en écoute sur le site et par podcasting]
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 19:59:19 -0400</pubDate>
		
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		<media:title>L’EXTRABALLE POSE POUR LA PHOTO. Jeudi 9 Octobre, 20h.</media:title>
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		<guid isPermaLink="false">11851498</guid> 
         <title>RAQ#1: Débriefing sauvach’</title>
		 <link>http://www.mefeedia.com/entry/raq-1-d-briefing-sauvach/11851498/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/raq-1-d-briefing-sauvach/11851498/'><img src='http://www.bloggingthenews.info/blogging_the_news/Eos4.1.logosite.jpg' width='120' height='95' /></a><br />
		 From : Blogging The News<br />Quelques réflexions en vrac à propos d une émission de télé, d une web-émission, d une expérience enrichissante :-) Débriefing sauvach de RAQ#1 from Damien Van Achter on Vimeo. La partie web de l émission est disponible ici Ils en parlent: Répondez @ la question (Mademoiselle Monaco) La blogosphère flingue la RTBF (Charles Bricman) Répondez@la question monsieur De Wever (Mateusz Kukulka) Ma (courte) question à Bart De Wever et “Répondez à la question”: ce que j’en pense. (Thomas van der Straten) Bart De Wever: ten points (Diederick Legrain) Bart @ R@Q‏ (I) etRAQ#1: Débriefing sauvach’(Himself) Répondez @ la question ! Le bide total !! (Le Blog Politique) “Répondez @ la question !” mais surtout “Fermez-la !” (Pascal Alberty) La nouvelle et déjà vieille émission de la RTBF (Roulive) Mauvaise foi de journalistes (François Shoob Lamotte) Bart De Wever scoort op de RTBf (Peter s Blog) Et, bien sûr, le flux twittorsphérique qui a couvert la soirée et s est poursuivi une bonne partie de la journée de jeudi. (Plus que jamais, l info est désormais liquide, j y reviendrai ) Prochaine (s) étape (s): faire des liens vers tous ces contenus directement depuis le site de la RTBF, faire une émission 100 pc web en direct avec des moyens web, amener d autres journalistes radio/télé à interagir sur la toile, réussir à faire grimper encore plus de contenus générés par les utilisateurs à la surface de ces médias traditionnels pour créer du sens et donner un max de raison aux gens de revenir chez nous, etc. etc. etc . y a du taf tant qu on en veut :-)
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 18:48:14 -0400</pubDate>
		
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		<media:title>RAQ#1: Débriefing sauvach’</media:title>
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		<guid isPermaLink="false">11838784</guid> 
         <title>AR783 Brian and Arthur</title>
		 <link>http://www.mefeedia.com/entry/ar783-brian-and-arthur/11838784/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/ar783-brian-and-arthur/11838784/'><img src='http://images.mefeedia.com/cache/2297/feed_90.png' width='120' height='95' /></a><br />
		 From : ArcherRadio<br />Brian and Arthur join me to chat about all sorts of things...politics included! Show #783, Show Length: 47:37, File Size: 43.8 MB
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 16:20:00 -0400</pubDate>
		
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		<media:title>AR783 Brian and Arthur</media:title>
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         <title>Renew Our Stinking Thinking 2</title>
		 <link>http://www.mefeedia.com/entry/renew-our-stinking-thinking-2/11850439/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/renew-our-stinking-thinking-2/11850439/'><img src='http://www.eastbayou.org/media/images/Orienting_Toward_The_Cross.jpg' width='120' height='95' /></a><br />
		 From : East Bayou Podcast<br />Mike Walker - WEDNESDAY @ THE BAYOU
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 11:14:21 -0400</pubDate>
		
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		<media:title>Renew Our Stinking Thinking 2</media:title>
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		<guid isPermaLink="false">11837646</guid> 
         <title>bTALK podcast #157</title>
		 <link>http://www.mefeedia.com/entry/btalk-podcast-157/11837646/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/btalk-podcast-157/11837646/'><img src='http://images.mefeedia.com/feeds/2424/video_120.png' width='120' height='95' /></a><br />
		 From : bTALK<br />THURSDAY, OCTOBER 09, 2008: Hosts: Shannon, Kurt, Jason, and Joel Producer: Jeremy ( Rating: #@%# YOU (R) / 29.6MB / 62Kbps / 64min 40sec )
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 11:01:00 -0400</pubDate>
		
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		<media:title>bTALK podcast #157</media:title>
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         <title>Heinz Holliger, Siebengesang&amp;quot;</title>
		 <link>http://www.mefeedia.com/entry/heinz-holliger-siebengesang/11836511/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/heinz-holliger-siebengesang/11836511/'><img src='http://images.mefeedia.com/entries/11836511/video_120.png' width='120' height='95' /></a><br />
		 From : ANABlog<br />-- Liner Notes -- Heinz Holliger, oboe Schola Cantorum, Stuttgart (Chorus-master: Clytus Gottwald) Basle Symphony Orchestra Francis Travis Heinz Holliger's mastery as a performing musician is not obviously traceable across the surfaces of his own scores. Seibengesang, in that he wrote it for himself to pla, is the exception within an output that does not privilege the oboe above other instruments - unaccompanied flute in Lied (1971) and (t)aire(e) (1983), strings in a Quartet (1973) and various solos and duos - and that strongly features theatre works (three Beckett settings between 1976 and 1988, besides Der magische Taenze) and music for chorus (especially the Scardanelli-Zyklus of 1975-84, on late poems by Hoelderlin). For Holliger, composition is not a performer's self-projection, in the way it usually has been for composing virtuosos. Listening more deeply into the music, however, one may hear the oboist at thoutht, if not at play. Holliger's music is, like the oboe's, essentially linear and lyrical; it is a way of giving voice, and of giving voice alone, even when that lone voice is communicated by a chorus or a complexity of interlacing ensembles. The writers with whom Holliger has chosen to align himself - Hoelderlin, Trakl, Beckett, Nelly Sachs - are poets of the voice made solitary by extremity: death, madness, estrangement, vision. And the presence of a voice presupposes the presence of an ear: this is music with a potent sense of being addressed to the listener who, like an oboist playing concertos or chamber music, waits attentively, and from whom some response is expected. Both the pieces recorded here are early works, written at a time when, as Holliger has said, "under Boulez's influence I worked on a large scale". (He had followed Boulez's classes at the Basle Academy in 1962, supplementing earlier composition sudies with Sandor Veress.) However, these works already show fully characteristic traits of volatility and intimacy, and alos of fragmentation, the ample scale and density being built up from overlaid and overlapped strands for diverse ensembles. Siebengesang (1966-67) is an oboe concerto that voices Trakl's Siebengesang des Todes ("Dead Man's Seven-Song") through seven sections that correspond to the seven stanzas of the poem. In the first three sections the oboe is pitched against various groups: a septet of violins (first section, playing harmonics); a concertino of harps and keyed instruments, whose brilliant, luminous figures answer the poem's nocturnal imagery; a low ensemble of cellos, basses and bass clarinets (third section). With the entry of violins and piccolos, the third section comes to a climax, after which the soloist is left with five violas, conveying him into the fourth section's middle-register quintet, where his partners are alto flute, English horn, horn and viola. He then has some rest during the fifth section, a crescendo of orchestral groups that finally brings on new ones - percussion and brass - while all the time gongs have been counting out 23 five-second units. At the conclusion of this the soloist emerges with a new voice, amplified, moving on to special effects and electronically modified sounds, which call up new kinds of foil and imitation from instrumental groupings. Once more the music rises towards a tumultuous climax, and once more it engenders a new voice: that of a choir of seven women, seven sirens, singing the last five lines of the poem in a slow finale with bass chime bars, the solo oboe and the concertino. Paul Griffiths
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 07:53:57 -0400</pubDate>
		
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		<media:title>Heinz Holliger, Siebengesang&amp;quot;</media:title>
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		<guid isPermaLink="false">11836512</guid> 
         <title>Heinz Holliger, &amp;quot;Gluehende Raetsel for Alto and Ensemble&amp;quot; (1964)</title>
		 <link>http://www.mefeedia.com/entry/heinz-holliger-gluehende-raetsel-for-alto-and-ensemble-1964/11836512/</link>
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		 <a href='http://www.mefeedia.com/entry/heinz-holliger-gluehende-raetsel-for-alto-and-ensemble-1964/11836512/'><img src='http://images.mefeedia.com/entries/11836512/video_120.png' width='120' height='95' /></a><br />
		 From : ANABlog<br />-- Liner Notes -- The cycle Gluehende Raetsel (Burning Riddles), a setting of poems by Nelly Sachs, was first performed in 1964 at the Donaueschingen Festival, with Jeanne Deroubaix, alto, and the Domaine musical ensemble conducted by Pierre Boulez. The work, for alto, flute, viola, bass clarinet (contra-bass clarinet), cymbalom, harp, celesta and percussion, was commissioned by the Suedwestfunk. It is dedicated to Nelly Sachs (1891-1970), one of the most important German-language poets. She escaped from the Nazis to Stockholm, and was awarded the Nobel prize in 1966. After working for a long time on a staged version of one of her poems, Der magische Taenzer, for choir and several orchestral groups, I wanted to condense and crystallize my experiments during this work. At the same time, I tried to differentiate my langage [sic] from the point of view of form, expression and colour. Gluehende Raetsel is in five parts. In parts I to III, the structural elements, very clearly differentiated from one another, are tated. Part IV repeats the types of structure from the two previous movements, in the reverse order. Simultaneously, the note values become more imprecise, leaving greater latitude to the performers. Part V, subdivided into five periods, synthesizes and develops all the earlier parts. The inner thematic construction of Gluehende Raetsel is similar to that of my earliest chamber music, for example Erde und Himmel and Elis, but the musical material is treated more flexibly and the fields of sound and form are more clearly differentiated. In composing this piece, I gave priority to effects of multiple layers between the words and the sound, and their mutual influences. This led me to new solutions for my composition. H.H.
		 ]]></description>

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		<media:title>Heinz Holliger, &amp;quot;Gluehende Raetsel for Alto and Ensemble&amp;quot; (1964)</media:title>
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         <title>Robert Wittinger, &amp;quot;strutture simmetriche&amp;quot;</title>
		 <link>http://www.mefeedia.com/entry/robert-wittinger-strutture-simmetriche/11836513/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/robert-wittinger-strutture-simmetriche/11836513/'><img src='http://images.mefeedia.com/entries/11836513/video_120.png' width='120' height='95' /></a><br />
		 From : ANABlog<br />-- Liner Notes -- "strutture simmetriche per flauto solo" op. 17 was written in 1969 for Willy Freivogel, the solo flutist of the Stuttgart Rundfunk Symphony Orchestra. The work has three sections and is based on three kinds of formal symmetry: retrograde motion in the first part, combinations of passages in the second (scheme: A1 - A6, BI - B6, Ai, BI, A2, B2 . . . A6, 86), and a central symmetry round central notes in the final section, which makes increasing use of pauses as it develops. Reinhard Oehlschlagel
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 04:37:15 -0400</pubDate>
		
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		<media:title>Robert Wittinger, &amp;quot;strutture simmetriche&amp;quot;</media:title>
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         <title>Mckenzee</title>
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		 <a href='http://www.mefeedia.com/entry/mckenzee/11839081/'><img src='http://images.mefeedia.com/feeds/20860/video_120.png' width='120' height='95' /></a><br />
		 From : sneezwort's Podcast<br />teamsquirt Damn.Damn.Damn.What a hottie! This week we had a nice little babe names Mckenzee. This girl could take some mean cock. I gave it a good old fashion beat down .And boy can she sqirt. She even squirted in my mouth while i was eating her out and i loved it! Enjoy! teamsquirt
		 ]]></description>

		<pubDate>Thu, 09 Oct 2008 00:01:00 -0400</pubDate>
		
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         <title>Lunch With Chase</title>
		 <link>http://www.mefeedia.com/entry/lunch-with-chase/11838864/</link>
         <description><![CDATA[
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		 From : Blind Cool Tech<br />10/9/2008 Chase Crispen and his mom, Dana, join Larry Skutchan and Ken Perry for lunch during Chase's visit to Louisville as part of his winning an essay contest in conjunction with APH's 150 year anniversary. 17.4 MB
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 20:00:00 -0400</pubDate>
		
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		<media:title>Lunch With Chase</media:title>
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         <title>Emission du 8 Octobre - Novorock invite Stuntman 5</title>
		 <link>http://www.mefeedia.com/entry/emission-du-8-octobre-novorock-invite-stuntman-5/11832400/</link>
         <description><![CDATA[
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		 From : flux global<br />Christian et Sip du groupe Stuntman 5 taient venu nous pr senter leur dernier album Akolabuzi avant leur concert ce Jeudi 16 Octobre au point Eph m re [en écoute sur le site et par podcasting] Playlist de l mission:Ladyhawke Love Don t Live Here Pony Hoax crash pad driver Tricky far away NLF3 echotropic Max Tundra will get fooled again Papier Tigre dance dealer Stuntman 5 [...]
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 19:48:34 -0400</pubDate>
		
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		<media:title>Emission du 8 Octobre - Novorock invite Stuntman 5</media:title>
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		<guid isPermaLink="false">11836749</guid> 
         <title>Deep Fab - Episode 00099 - The Long Hot  Summer</title>
		 <link>http://www.mefeedia.com/entry/deep-fab-episode-00099-the-long-hot-summer/11836749/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/deep-fab-episode-00099-the-long-hot-summer/11836749/'><img src='http://images.mefeedia.com/feeds/2416/video_120.png' width='120' height='95' /></a><br />
		 From : Deep Fabulousity Podcast<br />So, it has over six months since I last posted a show. So, how long is it before a show is officially dead? 3 months? 6 months? etc. Well, I know lots of shows that gone away for awhile, and taken a hiatus. But, I want you to know, that in all these months I kept thinking about podcasting. How much I like it, how much I miss it. As usual, this show is brought to you by Esscents Candles. It's the Spring Holiday Season, so please get those awesome Gel Candles for holiday gifts. Ok, so it has been awhile since I last podcast. In this episode, I basically tell you about me since the last time I did a show. Also, this is episode 99, that means the next show is 100. Technically, if you count all the other shows I did, I am already over 100 shows. Listen, I would love to do a show every week, or even a few times a week, but I have lots of stuff to do, so I will do what I can. My next show is all about politics ... and boy do I have some things to say. It's a good thing I have a podcast to voice them. ;-) This shows Intro was: Touch Of Pink by Sub-Level-03 from the Podsafe Music Network
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 19:29:00 -0400</pubDate>
		
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		<media:title>Deep Fab - Episode 00099 - The Long Hot  Summer</media:title>
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         <title>The Months &amp;amp; Days of the Week in Japanese</title>
		 <link>http://www.mefeedia.com/entry/the-months-days-of-the-week-in-japanese/11829742/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/the-months-days-of-the-week-in-japanese/11829742/'><img src='http://feeds.feedburner.com/~a/JapanVisitor?i=rqnGQc' width='120' height='95' /></a><br />
		 From : Japan Visitor Blog - Tokyo Osaka Nagoya Kyoto<br />A couple of weeks ago we looked at the numbers in Japanese. If you know the numbers in Japanese, it's easy to form the months of the year. Listen to the months of the year in Japanese and the days of the week January is literally "one month", February "two month", March "three month" and so on. Just combine the numbers from 1 to 12 with gatsu (month). The kanji for "month" or "moon" can be read as gatsu, getsu or tsuki (月) . January is ichi (one) + gatsu (month) = 一月 February is ni (two) + gatsu (month) = 二月 March is san (three) + gatsu (month) = 三月 April is shi (four) + gatsu (month) = 四月 May is go (five) + gatsu (month) = 五月 June is roku (six) + gatsu (month) = 六月 July is shichi (seven) + gatsu (month) = 七月 August is hachi (eight) + gatsu (month) = 八月 September is kyuu (nine) + gatsu (month) = 九月 October is jyuu (ten) + gatsu (month) = 十月 November is jyuuichi (eleven) + gatsu (month) = 十一月 December is jyuuni (twelve) + gatsu (month) = 十二月 As for the days of the week, well you'll just have to memorize them. The word for a day of the week is youbi (曜日). So: Monday is getsuyoubi - lit. "Moon day" (月曜日) Tuesday is kayoubi - lit. "Fire day" (火曜日日) Wednesday is suiyoubi - lit. "Water day" (水曜日) Thursday is mokuyoubi - lit. "Wood day" (木曜日) Friday is kinyouboubi - lit. "Silver day" (金曜日) Saturday is doyoubi - lit. "Earth day" (土曜日) Sunday is nichiyoubi - lit. "Sun day" (日曜日) New Year is oshougatsu - お正月. Last week's Japanese lesson Yahoo Japan Auction Service Book a hotel in Japan with Bookings Tokyo Serviced Apartments Japan Friends Happi Coats Japanese For Busy People Tags Japanese language numbers
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 17:24:01 -0400</pubDate>
		
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		<media:title>The Months &amp;amp; Days of the Week in Japanese</media:title>
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         <title>7 In 7: ENVY</title>
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         <description><![CDATA[
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		 From : Special Delivery<br />7 In 7: ENVY Recorded in the delivery van Oct 6th, posted today due to a little SLOTH. What triggers my Envy? Whats the difference between Envy and Jealousy? Listen to learn. SDM (direct link) Fellow Sinners: Mattie BearWeegieJoeMatt*hewPizzaBabe and Ryan Marie B Wanna chat to me LIVE from your cell/landline? 1-425-906-5563 (4:30-6:30 Pacific) (free landline/cell to SIPPHONE provided by IPKall)
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 17:21:00 -0400</pubDate>
		
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		<guid isPermaLink="false">11825548</guid> 
         <title>Build the Church 340 VideoCast - Eowyn!</title>
		 <link>http://www.mefeedia.com/entry/build-the-church-340-videocast-eowyn/11825548/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/build-the-church-340-videocast-eowyn/11825548/'><img src='http://images.mefeedia.com/entries/11825548/video_120.png' width='120' height='95' /></a><br />
		 From : Build the Church<br />Turn up the speakers and get ready to be rocked off your chair by Eowyn in her video "Locked Away". Eowyn - "Locked Away" Find Eowyn in myspace by going here. Buy Eowyn's new album Silent Screams by clicking here. Click here to go to Eowyn's website. DISCOUNTS FOR BUILD THE CHURCH LISTENERS FROM GODADDY!Get 10% off any order at GoDaddy* church1 Get $5 off any purchase of $30 or more* church2 Get your own .com for $7.49* church3 Click any of the offers (church1, church2 or church3) to take you to the page that explains these great exclusive offers for Build the Church listeners.SUPER SAVINGS AT PETMEDS.COM! Get all your pet needs at PetMeds.com!! Use the code BED to get 10% of your next order!! Click the logo below and start saving now!!
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 16:46:44 -0400</pubDate>
		
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		<media:title>Build the Church 340 VideoCast - Eowyn!</media:title>
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		<guid isPermaLink="false">11829191</guid> 
         <title>CNC Broadcast - Lorain - October 5, 2008</title>
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         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/cnc-broadcast-lorain-october-5-2008/11829191/'><img src='http://www.churchonthenorthcoast.org/media/images/cncpatorswave1.jpg' width='120' height='95' /></a><br />
		 From : Church on the North Coast<br />CNC Broadcast - Lorain - October 5, 2008 Church on the North Coast - Lorain, OH
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 14:37:15 -0400</pubDate>
		
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		<media:title>CNC Broadcast - Lorain - October 5, 2008</media:title>
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		<guid isPermaLink="false">11832403</guid> 
         <title>Deuxième semaine pour Extérieur Nuit</title>
		 <link>http://www.mefeedia.com/entry/deuxi-me-semaine-pour-ext-rieur-nuit/11832403/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/deuxi-me-semaine-pour-ext-rieur-nuit/11832403/'><img src='http://images.mefeedia.com/feeds/20343/feed_90.png' width='120' height='95' /></a><br />
		 From : flux global<br />[en écoute sur le site et par podcasting] Cette semaine : - De la guerre de Bertrand Bonello, avec interview la cl - S raphine de Martin Provost- Appaloosa de Ed Harris- Vinyan de Fabrice du Weltz- Afterschool de Antonio Campos- Go Fast de Olivier Van Hoostadt- Lettre d amour Josiane Balasko- Les actrices r alisatrices au [...]
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 07:14:28 -0400</pubDate>
		
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		<media:title>Deuxième semaine pour Extérieur Nuit</media:title>
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		<guid isPermaLink="false">11818278</guid> 
         <title>David Lean Retrospective 2008</title>
		 <link>http://www.mefeedia.com/entry/david-lean-retrospective-2008/11818278/</link>
         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/david-lean-retrospective-2008/11818278/'><img src='http://mefeedia.com/images/audiopodcast.gif' width='120' height='95' /></a><br />
		 From : Wexner Center Podcasts<br />Our Film/Video Curators discuss the current David Lean Film Retrospective.
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 06:33:54 -0400</pubDate>
		
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		<media:title>David Lean Retrospective 2008</media:title>
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		<guid isPermaLink="false">11814751</guid> 
         <title>Jacques Damase / Diaphora exceptionnel</title>
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         <description><![CDATA[
		 <a href='http://www.mefeedia.com/entry/jacques-damase-diaphora-exceptionnel/11814751/'><img src='http://images.mefeedia.com/feeds/20343/video_120.png' width='120' height='95' /></a><br />
		 From : flux global<br />
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 06:28:12 -0400</pubDate>
		
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		<media:title>Jacques Damase / Diaphora exceptionnel</media:title>
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		<guid isPermaLink="false">11825666</guid> 
         <title>Better Hebrews 8</title>
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		 From : True2Life - Sermons from Torquay Christian Fellowship TCF t2l<br />David Martin, staff worker for AFES at our local University shares a message from Hebrews.
		 ]]></description>

		<pubDate>Wed, 08 Oct 2008 02:16:28 -0400</pubDate>
		
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		<media:title>Better Hebrews 8</media:title>
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         <title>In the Desert</title>
		 <link>http://www.mefeedia.com/entry/in-the-desert/11839082/</link>
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		 From : sneezwort's Podcast<br />FuckedByAGirl Hot women having sex is nice, hot women having an orgasm is awesome... but hot women spraying cum is unbelievable! FuckedByAGirl See also: BareFeetBabes - BeaverShots - Indian Sex At Home - ExtremeClits - EjaculatingBabes - OnePassForAll - XXXOfIndia In the Desert Damn the last time I hit the desert with a hot chick it was me doing the fucking but thatâs not happening here. This guy certainly went out with the intention of dominating and fucking the bitch but she turned the tables and heâs facing the humiliation of being fucked by a girl. Howâs that to dent your image with your buddies? Would they even talk to him if they knew heâd been fucked by a girl? But then who is going to tell them?
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		<pubDate>Wed, 08 Oct 2008 00:01:00 -0400</pubDate>
		
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         <title>Itunes</title>
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		 From : Blind Cool Tech<br />10/8/2008 Chris Gilland reviews iTunes 8 with Jaws 10. Note that while earlier versions of iTunes and Jaws required scripts, the new combination of these products runs great straight out of the box--no scripts required. 46.5 MB
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		<pubDate>Tue, 07 Oct 2008 20:00:00 -0400</pubDate>
		
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