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  KCRW's Theatre Talk
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In-depth provocative reviews and commentary on theatre in Southern California and beyond from James C. Taylor. He is an in-demand film/TV editor with a passion for theatre and opera who flies all over the world to see whats happening on stage.


most recent

Audio MP3
The Time of His Life
from KCRW's Theatre Talk on May 15, 2008
0 views / likes

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Playwrights' Verizons
from KCRW's Theatre Talk on May 08, 2008
3 views / likes
No single playwright or actor has affected theatergoing in America over the last ten years as much as the cellular phone. Stage plays have been performed in this country for centuries with the rituals observed between audience and actors remaining pretty much the same; but in the last decade, barely any play or musical can start without a brief prologue or overture reminding people to shut off their cell phones...

Audio MP3
NewKlub
from KCRW's Theatre Talk on May 01, 2008
15 views / likes

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Fair Enough
from KCRW's Theatre Talk on April 24, 2008
12 views / likes
The 20th Century saw the birth of a number of enduring man-made marvels: the jet engine, the microchip, the artificial heart, and My Fair Lady. There may have been musicals more sophisticated or succinct; but few are as durable and delightful as the Lerner-and-Lowe adaptation of George Bernard Shaw's Pygmalion...

Audio MP3
Fair Enough
from KCRW's Theatre Talk on April 24, 2008
0 views / likes
The 20th Century saw the birth of a number of enduring man-made marvels: the jet engine, the microchip, the artificial heart, and My Fair Lady. There may have been musicals more sophisticated or succinct; but few are as durable and delightful as the Lerner-and-Lowe adaptation of George Bernard Shaw's Pygmalion...

Audio MP3
Fair Enough
from KCRW's Theatre Talk on April 24, 2008
12 views / likes
The 20th Century saw the birth of a number of enduring man-made marvels: the jet engine, the microchip, the artificial heart, and My Fair Lady. There may have been musicals more sophisticated or succinct; but few are as durable and delightful as the Lerner-and-Lowe adaptation of George Bernard Shaw's Pygmalion...

Audio MP3
An e-Mask-ulated Musical
from KCRW's Theatre Talk on April 17, 2008
3 views / likes
The stage has a long tradition of disfigured protagonists. Shakespeare’s Richard III is the embodiment of a character whose hunchback is a metaphor for internal wickedness, whereas Rostand's Cyrano de Bergerac is the model for characters whose unnatural face betrays a heroic soul. This tradition also extends to musical drama (from Rigoletto to Phantom of the Opera) which would seem to suggest that there is historical precedent and even potential for a Broadway-style adaptation of the 1985 film Mask...

Audio MP3
An e-Mask-ulated Musical
from KCRW's Theatre Talk on April 17, 2008
12 views / likes
The stage has a long tradition of disfigured protagonists. Shakespeare’s Richard III is the embodiment of a character whose hunchback is a metaphor for internal wickedness, whereas Rostand's Cyrano de Bergerac is the model for characters whose unnatural face betrays a heroic soul. This tradition also extends to musical drama (from Rigoletto to Phantom of the Opera) which would seem to suggest that there is historical precedent and even potential for a Broadway-style adaptation of the 1985 film Mask...

Audio MP3
An e-Mask-ulated Musical
from KCRW's Theatre Talk on April 17, 2008
18 views / likes
The stage has a long tradition of disfigured protagonists. Shakespeare---s Richard III is the embodiment of a character whose hunchback is a metaphor for internal wickedness, whereas Rostand's Cyrano de Bergerac is the model for characters whose unnatural face betrays a heroic soul. This tradition also extends to musical drama (from Rigoletto to Phantom of the Opera) which would seem to suggest that there is historical precedent and even potential for a Broadway-style adaptation of the 1985 film Mask...

Audio MP3
Osage: Can You See.
from KCRW's Theatre Talk on April 10, 2008
18 views / likes
On Monday, it was announced: Tracy Letts' August: Osage County won this year's Pulitzer Prize for Drama. August: Osage County is Letts' fourth play after The Man from Nebraska, Killer Joe and Bug. (Letts also wrote the screenplay to the film adaptation of Bug, which starred Ashley Judd.) These three early plays (but especially Killer Joe and Bug) have been widely produced in large part because they offer juicy, even showy, roles for actors...


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